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“‘OK, little mommy!’” Wilson said Snoop shot back. “He was looking down at her like, ‘Who are you?’ She said, ‘I’m his wife.’ “My wife pulled him out and said, ‘Snoop, you guys gonna have to put that stuff out, because my husband is sober.’ “We go in the room and everybody is blazed,” Wilson recalled. The scene was Can-Am Recorders in Tarzana, where Snoop, a longtime Wilson fan, was laying down tracks for his album “Tha Doggfather.” In rehab, he met a counselor, Mahin Tat, who helped him get clean they later married, and Mahin began accompanying her husband everywhere - including to a recording session in 1996 that Wilson now says sparked his comeback. “I was the world’s greatest crackhead,” he put it bluntly at his manager’s place as he twisted the tab on a can of seltzer.
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soul-music spots like the Total Experience and Maverick’s Flat on Crenshaw Boulevard.īy the early ’90s, though, the singer’s life had taken a turn, thanks to what he described as a series of unfair business dealings, as well as a drug problem that he said led to a stretch of homelessness. Wilson’s natural exuberance fueled the Gap Band as it established a following decades ago with legendarily funky gigs at taste-making L.A. “His energy is like he’s 18,” said Aminé, a twentysomething rapper from Portland, Ore., who drafted Wilson to sing on his acclaimed 2017 debut, “Good for You.” “In the studio, I think he was even more pumped than I was.” And for all the depth of his catalog - other Gap Band chart-toppers include “ Early in the Morning” and the oft-sampled “ Burn Rubber (Why You Wanna Hurt Me)” - what seems to excite him the most is the prospect of new music. He’s a legacy act as beloved by nostalgists as he is taken seriously by aesthetes. In July, after Wilson and Bruno Mars both appeared at London’s British Summer Time festival, Mars tweeted, “I gotta do a song with Uncle Charlie,” as the singer is widely known.įor Wilson, the result is a career that feels unique in today’s pop scene.
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That’s Wilson delivering the heartfelt chorus of West’s “ No Mistakes,” from this summer’s controversial “Ye.” And that’s him drawing on his childhood singing in church for “ One More Day,” a cut from Snoop’s recent gospel excursion, “Bible of Love.”